The Eternal Frame
by Ant Farm and T.R. Uthco sets out to recreate the Kennedy assassination, more
specifically the Zapruder Film, and even more specifically the frame of that
film that captured the fatal shot. The purpose of this recreation is contested
and questioned throughout the film. The actor portraying Kennedy is asked if
what he was doing was “art,” but the people on the street felt it had
historical value and was entertaining although it may be in “bad taste.” One
woman wished she would have brought her still camera to take photos of the recreation
to share with others, as though the recreation (over a decade later) had a
shared historical significance as the actual event. The people behind the
recreation seemed to have less of a serious tone while rehearsing and preparing
for Dealey Plaza. They did not seem concerned about getting every detail spot
on (for example: Jackie was portrayed by a man and Governor Connally was
Asian), but rather concerned with making a statement about the mass media’s portrayal
of Kennedy’s death that engulfed late 1963. At that time every American was
exposed to the images captured by Zapruder. The assassination was reported on in
newspapers, magazines, and on television and Americans tuned in to learn more. However, media has advertising so someone is becoming
rich because of a tragedy. This was not excusive to news reports either. “The
Sound of Silence” by Simon & Garfunkel was about the assassination and it
became a number one hit. Columbia Records sold a lot of singles and Simon &
Garfunkel both had music careers as a result. The spectacle of a tragedy and
how people benefit because of it was partially what The Eternal Frame was about.
Man Bites Dog is
also about observing a gruesome spectacle. This time it is portrayed though the
lens of a faux-documentary (a style commandeered by sitcom television in the next
decade.) Benoit is the subject of his own movie which records him carrying out
terrible murders to steal the valuables of the dead. He treats it just as
another way to make a living and the film leads you to believe the same. Benoit
acts nonchalant, it is like the world he inhabits has many murderers competing for
money and fame (through their own personal films.) There is an interesting
shift that happens when the film crew moves from strictly observing Benoit’s
actions, to assisting him, to participating in his nefarious deeds. This reflects
current culture in a way. We could once only observe the media but now we
interact with it, voting for reality show contestants, participating in twitter
polls, and watching it on-demand. The audience has become essential to the
production of some shows as the film crew was essential to Benoit carrying on
.
“White Bear” from Black
Mirror is again about observing a gruesome spectacle, but this time there
is some reasoning. Victoria video recorded her fiancé murdering a young girl
and was sentenced to awake everyday with a wiped memory and try to survive
being murdered what people observe her through cell phone video. It is a
punishment similar to the crime but it is televised for the entertainment of
society. These people watch every day as the criminal is psychologically punished.
They’re using the spectacle as a form of justice. Guy Debord writes “The spectacle manifests
itself as an enormous positivity, out of reach and beyond dispute.” The people
who punish Victoria in this way think they are using the spectacle for the good,
turning her suffering into advertising revenue. This can be viewed as a parallel
of our modern prisons-for-profit system and it causes us to review how to take
in media.
This is an extremely well written response. Esepcially your first paragraph detailing THE ETERNAL FRAME. Really, really excellent. Here is my one critique: you need to reintegrate the technical aspects of the film(s)/video(s), which reinforce the conceptual dimensions you are talking about. What I appreciate so much about your first paragraph is how attuned it is to the socio-historical relevance of the event, culminating with this statement: "the mass media’s portrayal of Kennedy’s death that engulfed late 1963." The term "engulfed" here is perfect. However, can you return to the video and explain the ways in which visually & formally we are seeing this "engulfing" represented?
ReplyDeleteAdditionally, in paragraph 2 you point the very significant shift when the camera crew begins to actively assist Benoit. But I think you neglect to illustrate the very crucial aesthetic gesture that signals this shift. It is a zoom. The use of the camera to help Benoit locate his adversary and thus help murder someone.
You need to be sure to return to the aesthetic in order to have your analysis of the film itself reflect your analysis of the themes.